writing on water

Water calligraphy

I subscribe to an excellent online photography magazine called On Landscape Each issue they publish four sets of four photos on a theme, from four different photographer/subscribers, and a little while ago I sent my four off with fingers firmly crossed.  I didn’t hear anything for weeks, and guessed that they hadn’t been accepted – disappointing, but the standard is high and I wasn’t totally sure that I met it.  However, next thing I knew, I got an email from the magazine saying they’d been published!

It’s the first time I’ve tried to do anything like this.  Posting photos on my blog or on Flickr feels safe, as basically people who don’t like them will usually just go somewhere else.  I’m not terribly good at handling rejection, even on the minor level of not being accepted by a magazine, so it took a bit of courage for me to put these images out there.  I’m so glad I did.  It’s given me a real confidence boost and has encouraged me to try again elsewhere.

It was surprisingly difficult to get the entry together.  First of all, I had to choose what I thought were the best shots out of over a hundred similar ones. Not being great at decision making, that was tough enough, but the hardest part of it was making sure that they all held together and looked like a set.  This meant that they all had to be taken from roughly the same focal length – it would have looked strange to have some very close-up and some at a distance – and they all had to have the same sorts of tones and processing, which was the really difficult bit.  In the end I had to re-do them all so that they worked as a coherent set.

I now feel like trying again in other places – I figure that having had one success will sweeten the blow if I don’t get anywhere with subsequent ones. I’m feeling braver. I’ve now entered the same set of four, plus an additional two, into a book project/competition called Seeing in Sixes which is running under the auspices of Lenswork Magazine.  The photographers who’re chosen will have their images printed in a six-page spread in the resulting book.  I’ve included the additional two images here – the first four are the original choices for On Landscape, and the last two are the extra ones that make up the six for Seeing in Sixes. Wish me luck.

Water calligraphy, ripples and reflections on water

Water calligraphy, ripples and reflections on water

Water calligraphy, ripples and reflections on water

Water calligraphy, ripples and reflections on water

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